Whittlin’ and Fiddlin’ My Own Way by Violet Hensley with Randall Franks

243b2f156cbb02b5520e5fda9858df7c_plf5Whittlin’ and Fiddlin’ My Own Way by Violet Hensley with Randall Franks

$25

READ ABOUT THE 107-Year-Old Folk Music LEGEND

“Whittlin’ and Fiddlin’ My Own Way: The Violet Hensley Story” reflects nearly a century of experiences through the eyes of Silver Dollar City personality Violet Hensley.

“I never thought I would be writing about my life, my music and my fiddle makin’,” she said. “I could have never dreamed coming from a farm in the backwoods of Arkansas that the things I learned on that farm would make me a TV personality and gain me fame around the world.”

The Arkansas Living Treasure Award winner from Yellville, Arkansas learned to fiddle in 1928 and make fiddles watching her father George W. Brumley in the community of Alamo, Arkansas in 1932.

Hensley joined in a three-year effort with award-winning journalist and author Randall Franks, “Officer Randy Goode,” from TV’s “In the Heat of the Night,” to complete her memoir.

“It was an amazing experience to work with Violet weekly to refine the experiences from her life and compile a book which not only reflects what many rural families endured in America in the 20th century but what was most unique about Violet as she grew artistically, to find folk music stardom at nearly 50.”

He said Hensley raised a family of nine with her late husband Adren while he moved the family from town to town and state to state.

“With the advent of the folk music revival, Violet’s blossoming musical and fiddle-making talents, caught the attention of Grammy ® winner Jimmy Driftwood and the owners of Silver Dollar City in Branson, Missouri,” he said. “She joined the crafter’s cast at Silver Dollar City in 1967, becoming part of the City’s celebrities who used radio, television, and newspapers to invite visitors to the amusement park.”

Peter Herschend, Herschend Family Entertainment co-founder and owner, said Violet is one of the City’s most unique citizens.

“In the early years of Silver Dollar City, Violet, Don Richardson and I, along with an interesting assortment of the City’s colorful characters, would spend weeks on the road together…all devoted to promoting SDC,” he said. “I came to know Violet for the amazing wonderful woman that she is. She would amaze us with stories of field plowing with her mules. Then a new Violet would seem to appear when she would sit for an interview with some grizzled reporter (reporters who probably didn’t believe she was real), and she would proceed to win them over with her charm, her skills as an artist, and her talent as a musician.’

Sharing her talents in front of millions, Hensley became one of the first woman fiddlers to reach a large international audience appearing at the Smithsonian’s Festival of American Folklife, festivals, colleges, and on countless local, regional and national television and radio shows such as “The Beverly Hillbillies,” “Captain Kangaroo,” and “Live! with Regis and Kathie Lee.” according to Franks.

“I hope folks will enjoy getting a glimpse at what my near century on this world has been,” she said. “It’s been a hoot so far and what’s even better is while the book is written – the story continues. I hope folks will join me for what is yet to come, they can start by reading the book.”

The 258-page soft cover book from Peach Picked Publishing includes 145 photos.

Silver Dollar City Folk Music Legend Violet Hensley shares 98 years of experiences from a backwoods farm to international folk music fame.

Also Available Violet’s Music CD “Family Treasures” – Limited Number Available





Family Treasures – Violet Hensley
Recipient of Arkansas State Living
Treasure Award 2004
CD – No number
Recorded: April 4, 2004
Where: Stone County Recording Studio,
Crane, Mo.
Engineer: Greg Bailey
Musicians:
Violet Hensley – fiddle, vocals
Calvin Hensley – guitar
Sandra Hensley Flagg – guitar and fiddle sticks
Lewonna Hensley Nelson – Percussion (plays jawbone and guitar)
Tim Nelson – bass guitar
Note: Actually first album with Violet’s singing included
Soldiers Joy
Red Wing
Sugar in the Coffee (Sugar in My Coffee O)
Marmaduke’s Hornpipe
Sweet Fern
8th of January
Black Eyed Susie
Bonaparts (Bonaparte’s) Retreat
Chicken Reel
Angeline the Baker
Nellie Gray
Little Brown Jug
Put Your Little Foot
Wagoner
Shortening (Shortenin’) Bread
D Waltz
Liberty
Hold Fast to the Right

 

Snake Oil, Superstars and Me by “Doc” Tommy Scott, Randall Franks and Shirley Noe Sweisz

9781425991890_cover.inddSnake Oil, Superstars and Me 

$35




“Doc” Tommy Scott, Shirley Noe Sweisz and Randall Franks
A 700- page autobiography with more than 500 photos highlighting Ramblin’ “Doc” Tommy Scott’s 90 years in Film, Television, Stage and Radio and all the superstars that were part of his life, show and career. We will pay postage and handling.

 

Tommy Scott (1917-2013) liked to tell the story of the time he met David Letterman, when the famous TV show host stormed off the stage because his own guest overshadowed him with his musical ramblings. Known for his rambling and roaming, this Hillbilly, western, country and bluegrass artist could never plant his roots in one place, so for a while he traveled and played the guitar, and later, he traveled and sold a cure-all remedy known as snake oil. The  entrepreneur, artist, and actor tells about his lifetime of personal discovery in his memoir, “Snake Oil, Superstars, and Me”

Different segments of his life can be labeled and described by his various nicknames. When he was just Tommy, the son of a farmer in northern Georgia, he decided he needed to make a name for himself in the music world. He escaped to join the Medicine Show, a musical and acting caravan that traveled across the U.S. There, he answered to the name “Peanut,” taking on the role of a guitar-playing clown. Next he was “Texas Slim” on a radio show, where he infused comedy and music with his ventriloquist doll-partner, Luke McLuke making his way to star on the Grand Ole Opry in the 194os. And then he was “Rambling Tommy,” a guitar player and music composer. Later in life, he became “Doc Tommy Scott,” selling snake oil as a medicine man in traveling exhibits.

No matter what name he went by, he always loved Frankie, a southern model and starlet from his hometown. When she took his last name, she became his “right hand man,” smoothing over rough business deals in her graceful way. The two wandered together when Tommy played and entertained many musicians in their home. As a young couple, they starred in a traveling show group and appeared in Tommy Scott shows that were later transformed into syndicated films and television.

Although he went by many names and lived many lives, one part of Tommy always remains the same. He loved igniting a crowd and hearing the roaring applause. He didn’t particularly love the praise, but he loved the response. He claimed snake oil is a cure-all remedy in his traveling shows, but even if it isn’t medically proven, Tommy cures the audience with gales of laughter.

“If you think it will help then it will,” Scott’s mentor advised him once. “If you have the faith for it, the liniment will stop the pain while the herbal treatment sets you to running! One thing for sure, though, if you visit a medicine show, for an hour and a half you will leave your burdens behind.”

Stirring Up Additional Success with a Southern Flavor by Randall Franks and Shirley Smith

Stirring_Up_Additional_SuccessStirring Up Additional Success with a Southern Flavor by Randall Franks and Shirley Smith

$18 plus $5 S & H



The Catoosa Citizens for Literacy revamps its popular cookbook Stirring Up Additional Success with a Southern Flavor offering a variety of choices from celebrities and Catoosa County residents.
ShirleySmith

Shirley Smith

Entertainer, actor, author and syndicated columnist Randall Franks, “Officer Randy Goode” from TV’s “In the Heat of the Night,” co-authored the project released 2009 with Shirley Smith welcoming celebrity friends from music, movies and television, to raise funds for Catoosa County’s Learning Center near Ringgold and its programs.
Franks previously served as Catoosa Citizens for Literacy chairman and co-chairman and is currently a taskforce member. The organization coordinates the Learning Center.

The collection features recipes from more than 100 of the south’s personalities, politicians, performers from television, movies, country, bluegrass and Southern gospel music, as well as members and supporters of the Catoosa Citizens for Literacy and students of the Catoosa County’s Shirley Smith Learning Center located just outside Ringgold.

Catoosa County artist Cathy Cooksey created a special paintings for the cover.

The Catoosa County Learning Center, on the Benton Place campus just off Battlefield Parkway, offers free day and evening GED classes The Catoosa Citizens for Literacy provide $160 towards the test fee to Catoosa County residents. Reading and math tutoring are available. Free childcare is available. Free transportation is available.

Smith, who is the Learning Center executive director, is excited to find a new worldwide avenue via the internet for the fundraisers.

“These books are wonderful collections which reflect the people and places in Catoosa County and recipes from not only the celebrities but from the students, teachers, volunteers, supporters and CCL taskforce members which helped uplift the lives of so many families in Catoosa County,” Smith said. “The books share stories of the Learning Center including numerous student successes. Anyone should want to make one of these  part of their family keepsakes.”

Stirring Up Success with a Southern Flavor by Randall Franks and Shirley Smith

Stirring_Up_Success__Stirring Up Success with a Southern Flavor by Randall Franks and Shirley Smith

$18 plus $5 S&H


The Catoosa Citizens for Literacy releases its popular cookbook Stirring Up Success with a Southern Flavor offering a variety of choices from celebrities and Catoosa County residents.

ShirleySmith

Shirley Smith

Entertainer, actor, author and syndicated columnist Randall Franks, “Officer Randy Goode” from TV’s “In the Heat of the Night,” co-authored the two projects released initially in 2003 with Shirley Smith welcoming celebrity friends from music, movies and television, to raise funds for Catoosa County’s Learning Center near Ringgold and its programs.

“These make a nice Christmas gift especially if you have a family member included in the original books and didn’t get one the first time,” Franks said. “Friendship is a wonderful gift and I am thankful to all my media friends who graciously donated recipes, words of encouragement and photos to help us raise funds for the Learning Center. Now through the internet the gift can keep on giving to change lives.”
Franks previously served as Catoosa Citizens for Literacy chairman and co-chairman and is currently a taskforce member. The organization coordinates the Learning Center.

The collections feature hundreds of recipes from more than 100 of the south’s personalities, politicians, performers from television, movies, country, bluegrass and Southern gospel music, as well as members and supporters of the Catoosa Citizens for Literacy and students of the Catoosa County’s Shirley Smith Learning Center located just outside Ringgold.

Catoosa County artist Chuck Frye created special paintings for the cover.

Remembering the legendary Ralph Stanley

1988Stanley,Ralph and Randall Franks 0001

Grand Ole Opry guest stars Randall Franks and Ralph Stanley in the 1980s.

When I started as a disc jockey in radio at WRFG in Atlanta, Ga., the influence of musical preferences of the hosts T.P.  and Sandra Hollomon of the Bluegrass Festival impacted me with every drop of needle.
I had known the music of the Stanley Brothers since I began listening to mountain music and as I learned to play, songs they popularized such as “Rank Stranger” and “White Dove” became regular additions to jam sessions.
The music of Ralph Stanley became part of my life largely from T.P.’s admiration.
Stanley was born and raised in southwest Virginia, a land of coal mines and deep forests where he and his brother formed the Stanley Brothers and their Clinch Mountain Boys in 1946. Their father would sing them old traditional songs like “Man of Constant Sorrow,” while their mother, a banjo player, taught them the old-time clawhammer style, in which the player’s fingers strike downward at the strings in a rhythmic style.
I was saddened to learn of his passing recently at the age of 89. I was glad I was able to share with him what he meant to me in the final year of his life through my book “Encouragers II : Walking with the Masters.”
As my star as a singer and musician began to rise, I found myself performing for the Grand Ole Opry and standing side-by-side with legendary performers including Ralph. I also began appearing in festivals with him and his Clinch Mountain Boys including a 1988 appearance at the IBMA Legends of Bluegrass show.
Among the former band members were include Curly Ray Cline, vocalist Larry Sparks and Melvin Goins. He would change the lineup of the band over the years, later including Jack Cooke, and mentored younger artists like Keith Whitley and Ricky Skaggs, who also performed with him.
As time went on, my association with Ralph and various members of his band grew. I remember the birth of Ralph II and was so proud to see him come to the stage to perform and grow in music. Eventually our association brought me to produce Dr. Ralph in the studio and record with him. I stood by him on stage so many times performing, I could not count them. One of my greatest honors are the occasions he shared with me that over the years that he had become a fan of mine and looked forward to seeing my performances.
Ralph’s career exploded after his musical involvement in the film “O’ Brother Where Art Thou” as the rest of the world learned what a true treasure he was.  At the of age 73, he was introduced to a new generation of fans in 2000 due to his chilling a cappella dirge “O Death.” The album was a runaway hit, topping the Billboard 200 chart, as well as the country albums and soundtrack charts, and sold millions of copies.
His Renaissance saw his induction into the Grand Ole Opry and his winning three Grammys.
He won a Grammy for best male country vocal performance in 2002 — beating out Tim McGraw, Ryan Adams, Willie Nelson, Johnny Cash and Lyle Lovett — and was the focus of a successful tour and documentary inspired by the soundtrack. The soundtrack, produced by T Bone Burnett, also won a Grammy for album of the year. The following year he and Jim Lauderdale would win a Grammy for best bluegrass album for “Lost in the Lonesome Pines.”
He said in an interview with The Associated Press in 2002 that younger people were coming to see his shows and hear his “old time music,” and was enjoying the belated recognition.
“I wish it had come 25 years sooner,” he said. “I am still enjoying it, but I would have had longer to enjoy it.”
Despite health problems, he continued to record and tour into his 80s, often performing with his son Ralph Stanley II on guitar and his grandson Nathan on mandolin.
His funeral service was held at his bluegrass music park near McClure, Va. His music will sustain the mountain sounds for generations to come and his legacy is in the hands of his musical grandchildren who continue to thrill audiences as they build a legacy of their own.

If dust collects, find a broom

I covered the cloth in furniture polish and pushed it across the top of the wardrobe removing each object perched there and giving it a good going over.
When I was a boy, I always wondered what was on top of the wardrobe because I couldn’t see it. Now I wish I didn’t.
Dust seems to find its way into every place in our homes. I found it this past weekend settled in places that I was amazed it could find its way into.
Those dust bunnies that seem to playfully dance across the floors ran from my vacuum as if they were in fear for their lives. But after much effort, I managed to once again make my room a haven from the sneezing brought on by these allergens.
I have often wondered where all this dust comes from. I could understand when we kept windows and doors open to let in the cooler air, that it would sneak in from outside on those molecules which keeps us ticking.
Today though with almost every house closed up tight to keep in the air conditioning and heat, I am amazed at what sneaks through. I have filters on every vent yet it still gets in piling up underneath and on top of everything that does not move.
Dust is similar to the things that we let into our lives when we pay little attention to the details as we rush through each and every day.
The words uttered by a love one, important to them, but seemingly a nuisance to us, that we appear not to hear or acknowledge – some dust piles up.
The unknown person we cut off in traffic who the goes home and yells at their child or worse yet in anger causes an accident – some dust piles up.
The task we are assigned at work that we half-heartedly complete thinking no one will notice its insufficiencies – some dust piles up.
We don’t volunteer for that much needed charity project, though we have the time, and we have the right skills to make it happen – some dust piles up.
We don’t spend time with our loved ones because we are simply too tired and need to relax watching the game or going out with our friends – some dust piles up.
We do things, we would prefer others not know about – some dust piles up.
Easily, just like a neglected room in the house, we can allow corners or our lives to become covered in small particles that pile up. Over time much like the whimsical dust bunnies playfully dancing across the floor, these particles build up higher and higher.
Sometimes in life the piles eventually get so high they impact our relationships with others, create problems we cannot overcome, and leave us lying in the dirt gasping for breath.
It never hurts every now and again to take up a wide angled broom, turn on every light in your house, and sweep away all the dust, making things clean again. Put the problems and struggles in the dust bin and close the lid. It is amazing how clearing the air will allow you to breathe easier!

I walk behind the mower, therefore I am

When I began my working experience, I always looked forward to the arrival of warm weather.
I could hear my wallet growing exponentially with each inch rise of the green, green grass of home.
Well, maybe more like the neighbors’ grass since I didn’t get paid for mowing our yard.
When I was about 10, I saved enough money from my allowance to buy a second hand push mower and then set out to find willing partners in my desire to become a millionaire before age 11. Well, that is a slight exaggeration, I was mainly hoping for a few neighbors who would give me $10 every couple of weeks to mow their yards.
I amassed a pretty good list of clients which kept me busy as long as my allergies didn’t get the best of me.  Al Weidenmuller was the first I think agreeing to my business proposal, but I had to learn how to deal with raking magnolia leaves prior to each mowing; next was Ed Mikell – with more Magnolia leaves.
Then as I progressed down the street, I picked up the Neils, occasionally the Reeds, who had Zoysia and I learned to hate that type of grass because it was so hard to push. Also sometimes the Grosses.
The list grew overtime and eventually I had to enlist my father to help get me to and from in his truck as I press on beyond walking distance.
I found the time behind the push mower a time to think, dream, write songs along to the rhythm of the engine in harmony with hits hum.
As I look back, sometimes I wonder where that youthful exuberance went for the activity. I kept up the business until I finished college, even adding other landscaping tasks and working sometimes miles from my home. Eventually though, I slowly weened my customers off my services as I wanted to focus on finding my fit in the professional world after earning my degree.  Leaving me with just the task of mowing my own yard.
Through the years, I have liked the task less and less, giving me the understanding of why so many were willing to accept my eagerness to mow. My late mother use to draw great joy from hopping upon the riding mower and going full speed around the task as I weeded and pushed. She looked forward to it, possibly because it was something she could accomplish with her failing health and see a positive outcome.
Sometimes now I am even blessed by the kindness of a neighbor who will knock mine out with his. I am so happy when I see his kindness and as happy when I return the favor to him.
Sometimes I miss that young boy and young man who looked forward to the inch by inch progress of the green growth, as I sit on my back porch, I look more forward to the end of the growing season and often quip, I should do like Hollywood – just kill it and paint it green so it stays the same.
No matter where you are in your synergy with the mower and the grass, I hope you find your bliss with the endeavor and make joy in the fact that I walk behind (or ride upon) the mower, therefore I am.

The freedom of nothing left to prove

It seems so much of our life is spent working to prove something to someone else.
In our early years we aspire to gain the approval of our parents or key mentors that wish to see us succeed in education, sports, music or whatever dream they hold for us or share with us.
Sometimes, it’s the approval of our peers in these same pursuits, or other less beneficial objectives of youthful exuberance. There are those who succeed here and those who fail.
Often these successes or failures catapult our emotional make up forward setting some of the undertones for our life. I know in my case, the failures left an underlying “I’m going to show you” settled deep in my craw. I drew upon that hurt for many years pushing me to over achieve in many ways.
No matter the outcome of youth we step forward hoping to once again prove to the world that we can be somebody – a success in work, a success in picking the right person to marry, a success in raising children, a success in whatever is next on the long list that we seek others’ approval to prop up our esteem, our importance, and our life.
Often we find ourselves in a cycle of seeking others approval for the rest of our life.
In a conversation, I was having with a friend the other day, I said something that I had not even thought about. As I look back upon the path I have travelled, I am blessed to have had so many distinctive mentors to which I have tried to prove my value in some aspect of my professional or personal endeavors.
As I began thinking except in the form of being a creator of art in word, note and other form seeking the approval of those of you who buy my work and help me sustain the existence I enjoy, I thought I had no one left to prove anything to. Many of my key mentors who held those roles in my life have taken their final curtain calls.
As I relayed the story of a recent acting experience, I heard the words come out of my mouth, that I really wanted someone to acknowledge I could do what I was aspiring to do.  I realized that I had not yet left behind that desire of proving something to someone. It was still buried inside me with one more youthful goal that had not been achieved in full but could still be accomplished if I tried hard enough.
There it is driving me forward. After years of feeling I had nothing left to prove, which sometimes is not a bad place to be, once again, my blood is pumping with a desire, a hope, a goal that energizes my step.
So what is better, being to the point of nothing left to prove to anyone or having someone who inspires you to do more? I guess it depends on your own get up and go. I know one lady around 90 working on her doctorate. She has nothing to prove except to please her own soul.
If you are generally a self-starter, you probably move along OK, but every now and again, somebody may need to pour a little gasoline in your carburetor to get a spark and provide that forward momentum. If you need that in your life, I pray you have someone who provides that opportunity in love. Because in reality there are only two of us in this race to the finish line, us and the good Lord, who gives us a new chance every day to prove we are somebody serving, sharing and loving others for Him.

2016 Randall Franks Trophy Winner

1890sDayRandallFranksTrophyFiddleOff22016

Maddie Denton (second from right) of Murfreesboro, Tenn. won the Randall Franks Trophy at the 1890s Day Old Time Fiddle Convention May 28, 2016. In the fiddle off, she faced Mark Ralph (third from left) of Somerville, Ala. winner of the 51 and up category, who won second, Andrew Lin (second from left) of Lexington, Ky from 16-21 category, who placed third, and Benjamin Lin  (left) of Lexington, Ky, winner of the 11-15 category,  who placed fourth. Contestants receive their awards from Randall Franks (third from left), organizer Lewis Taylor (right).

Randall Franks strives to “Keep ‘Em Smilin’” with his new Christian music and comedy CD

 

FranksRandall KeepEmSmilin5a

Randall Franks signs his latest CD “Keep ‘Em Smilin’” for the youngest member of his fan club Wally O’Donald, 9, of Ringgold, Ga. Wally, also an aspiring musician, joined the fan club at age 6.

International Bluegrass Music Museum Legend and country humorist Randall Franks, “Officer Randy Goode” from TV’s “In the Heat of the Night,” returns to his Southern gospel music roots with his new CD “Keep ‘Em Smilin’.”

Franks became the first solo bluegrass artist to reach the top rankings of the Christian music sales charts with his “Handshakes and Smiles” in 1990 forging new ground and opening new sales outlets for tradition artists to share their music. He created a partnership at Benson with the late producer Norman Holland, garnering turntable hits including the Telly Award nominee “Handshakes and Smiles,” “He’s Never Gonna Fool Me Again,” “You Better Get Ready,” “Pass Me Not” and “Rock of Ages.”

With his latest release from Crimson Records, the Appalachian Ambassador of the Fiddle combines his fiddle stylings, dulcimer playing, vocals and comedy with a Southern gospel style piano. He called on the skills of former Stamps Quartet pianist Curtis Broadway. Broadway also performed with Gold City, the Pelfreys and many others.

“When I started my career I wanted to learn to play the piano like Hovie Lister and Eva Mae LeFevre, but I was never ever to reach that goal. Instead God brought me to the violin, dulcimer, and guitar to share His gifts,” Franks said. “I am honored to have such an amazing talent who has added to such great musical legacies in gospel music to support me in this musical adventure. He certainly plays like I wish I could!”

Franks said this project came together accidentally.

“I was doing a show at the Walker County Civic Center in Rock Spring, Ga. with my good friends – the Testimony Quartet, and I asked Curtis to join me on my solo show that night as we performed to a packed house,” he said. “What I didn’t know is that Tim Owens of Journey On Ministries recorded the entire performance that night and he later came to me and saying ‘It was so good; I should consider releasing it.’

“After listening, I agreed, he had captured the spontaneity of me encouraging the audience to join me in the cheerful fun of worship through these classic musical selections, and simply laugh at some country comedy,” he said.

Appalachian scholar Loyal Jones included Franks amongst the region’s greatest country music humorists alongside Jeff Foxworthy and Minnie Pearl in his educational work “Country Music Humorists and Comedians.”

“I have always shared comedy all the way back to my days on ‘The Country Kids TV Series’ but unlike my old friend the late Jerry Clower, I have mainly shared my funny stories in print through my syndicated newspaper column – Southern Style,” he said. “This gives folks a taste of the stories between some of my musical offerings, just enough to hopefully bring a smile to their faces and leave a song in their hearts.”

Selections on “Keep ‘Em Smilin’” include some of his most requested songs: “This Little Light of Mine,” “What a Friend We Have in Keep'EmSmilin'Cover3Jesus,” “Amazing Grace,” “Old Time Religion,” and “In the Garden.” Among the comedy stories are “Chicken Addiction,” “A Tunnel Runs Through It/Re-Enactment,” “Indigenous/Sgt. York,” and “Cousin Viola and the Sanctified Grape Juice.”

Franks serves as an advisor to the Southern Gospel Music Hall of Fame board. He has performed in studio or on stage with gospel artists including the Marksmen Quartet, Jeff & Sheri Easter, the Watkins Family, the Lewis Family, Tim Lovelace, the Primitive Quartet, the Isaacs, the Easter Brothers, Little Roy and Lizzy, Jason Crabb, Tammy Sullivan, Doyle Lawson, Dottie Rambo, Archie Watkins, Dr. Jerry Goff and Little Jan Buckner-Goff, the Perrys, the Anchormen, and others.

Later Southern gospel radio successes came in his partnership with producer Chris White of Sonlite yielding airplay around the world from recordings such as Franks’ “Sacred Sounds of Appalachia” and “Christmas Time’s A Comin’.” Gospel radio programmers also found his comedy and gospel on his Crimson bluegrass releases “Tunes and Tales from Tunnel Hill” and “God’s Children” with David Davis.

The Independent Country Music Hall of Fame member was honored in 2013 by Governor Nathan Deal for his extensive philanthropic and humanitarian works providing millions of dollars benefiting his fellow Georgians.

Franks’ latest film is the Christian thriller “Broken” in which he stars with Soren Fulton and Joe Stevens. His acting with Carroll O’Connor and Howard Rollins on TV’s “In the Heat of the Night” airs weekly to millions of viewers on cable and broadcast networks such as WGN-TV and This.

Franks continues to make concert appearances around the United States and Canada.

To learn more about Randall Franks, visit randallfranks.com; Like him on Facebook Randall Franks Actor/Director; follow on twitter @RandallFranks; or subscribe to RandallFranksTV on YouTube.

Visit shareamericafoundation.org to learn more about the Appalachian musical scholarship charity to which Franks gives his time.